unknown knowns. miyako/Tamasudare. Two songs.

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“Something french. I forgot.”

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10 Questions with Blind Walker G

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blind walker

1. How would you characterize your music?

W: Oldtime Schizophrenia, one leg in cool played harmonies like J.J.Cale, the other leg into Tom Waits eruptions.

2: What is one early music experience that made a deep impression on you//made you rethink what music can sound like//has helped shape the music you make today?

W: When I was 16 back in the very early 70’s, I met a bunch of freaks ten years older than me, listening all day and night Frank Zappa and Captain Beefheart. I mean, really all the time, maybe one or two Velvet Underground records in between, that’s it. Been hangin’ around with them for seven years, still today I can remember every single note of every Zappa record.

So that time deeply destroyed my ability to listen to charts music.

3. What is usually your process when creating//writing a new song?

W: There is no real process. When I grab a guitar, there is a new song. I’m very bad at playing covers and mostly don’t remember my own songs from the past, so the only chance is to play something new.

The real process is to fight my lazyness and write down some lyrics and run a proper recording, before I forget everything. In this case I like the idea and do it the same way like John Lennon. Never record a song at the same day you had the idea. If you can’t remember next day, the idea wasn’t strong enough.

4. Where can we find your music//what have you done to make your music available?

W: Apart from Soundcloud I’m also on the “follow me-follow you-but nobody’s listening” site called Reverbnation, for the big commercial success (I’ve sold one album-download in four years) I’m on Bandcamp.

5. What is a recent musician//band//music that you are excited about?

W: The War On Drugs, Spoon, Eleanor Friedberger, Todd Snider, from Soundcloud artists as far as I know My Hot Air Balloon and Swamp Lightning.

6. How would you describe the music climate in your home when you were a child?

W: Music?? music-free home

7. Is style//image important to you and if so what//who do you consider cool in music?

W: I’m absolutely not interested in style. Of course to build up an artificial personality like Tom Waits did, makes sense. But I’m not that type of person, more that “just play my guitar and sing” down to earth musician.

8. What song do you want playing at your funeral?

W:  “Going To Hell” from the London based band “Tiger Lillies”. Been tour manager and part-time guitarist of them back in the 90’s and still dig their music.

9. Why music and why do you make it?

W: There are so many things you can’t find the right words for, but I can play my feelings. So this is just like using another language with different possibilities.

The second thing is, if you play with a band with a working chemistry and you have this magical moment in music, when angels and demons start to cry together hand in hand —-YES, I’m alive.

10. If I should listen to one undiscovered musician//song today who//what should I check out?

W: www.youtube.com/watch?v=reBMRc2p4ZU



Visit Blind Walker G at:

https://soundcloud.com/blindwalkerg

http://walkerg.bandcamp.com/


10 Questions with Chris Picciuolo of The Uncle Steves

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one small dreamchris
1: How would you characterize your music?

C: I would say my music is quite simply a bunch of sounds and melodies patched together during desperate times.

2: What is one early music experience that made a deep impression on you//made you rethink what music can sound like//has helped shape the music you make today?

C: My first music experience was when I would play these weird little tunes at on the piano at my Grandparent’s house. I was a sensitive kid, probably 6 years old. I remember my Grandpa sitting in his chair just listening, and when I was done, he told me that I sounded alright but I could use some lessons. For some reason, that always struck a chord with me, and he very well could have meant it in a positive way. But I took it hard. I don’t think I played piano again for a long time. I got my first snare drum, rented from the Catholic School I was attending. I had a couple of lessons in the convent basement, but I did poorly and remember feeling like I wish I could take off the sound pad on top of the snare. I wanted to really hit that thing. The nuns didn’t like that. I think what helped shape my music is that need to do the opposite of what people always told me to do. I never got piano or drum lessons, and I took each instrument up by ear over the years, starting in my mid-teens. I know that sounds stubborn and it probably is. But that stubbornness really is the main driving force behind the music I make.

3. What is usually your process when creating//writing a new song?

C: It can vary on the day, really. It all depends on if I have the will to record at any given moment. The only time I plan to record is during short spurts of house-sitting for a friend, in his basement. Other than that, I will usually just have to want to make time to set up the microphone on my computer and pull out an acoustic guitar and whatever random percussion I have sitting around.

4. Where can we find your music//what have you done to make your music available?

C: I have my music available to purchase on theunclesteves.bandcamp.com

I’ve made a handful of music videos that I directed that are up on Youtube. I think the name is, “TheUncleSteves” on there. So, youtube.com/TheUncleSteves
I’ve tried selling my albums online but after the first album or two, I declined in the amount of people buying. It started to only be acquaintances, close friends, or family who would buy.

5. What is a recent musician//band//music that you are excited about?

C: Well, they’re not recent-recent. But I am pretty excited about Dr. Dog and Hacienda. Those are some talented fellows.

6. How would you describe the music climate in your home when you were a child?

C: Not very many instruments until I got my first drum set at 15. It was a Royce kit, pretty cheap. But there was always a cassette in the house playing The Beatles, The Beach Boys, Willie Nelson, Peter Paul and Mary, etc. A bunch of different artists from that era.

7. Is style//image important to you and if so what//who do you consider cool in music?

C: I think an honest style and image is important. If wearing traffic cones on your head works for you, do it. As long as you carry it well. I consider bands like Little Dragon and Black Moth Super Rainbow to be pretty damn cool, especially when it comes to style and image, from album covers to live performances to press photos. I really connect to their imagery.

8. What song do you want playing at your funeral?

C: I’ve never really thought about this one. I’m not sure of an exact song, maybe the whole White Album or a collection of old blues tunes from the 1920’s. Maybe some Spice Girls. I want to make it a weird one.

9. Why music and why do you make it?

C: Music is the one thing that has consistently kept me looking forward to life over the years. I make it because I have to. If I’m not making music, I feel like that’s one less collection of sounds I can throw out into the universe and I want to do as much music as possible before I die.

10. If I should listen to one undiscovered musician//song today who//what should I check out?

C: Possessed by Paul James is up there, although he has had some mild success lately. It helps to be backed by a label, as small as the label might be. Pocket Vinyl is another one that comes to mind, Husband and wife duo. He plays keys and sings while she paints lovely pieces on stage. Check out their record, “Death Anxiety” Great stuff.

Visit The Uncle Steves at:

New Page: Playlist

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Spin this playlist to hear songs by the awesome people who have participated in our 10 Questions interview series!

Feat. Clara Engel, Verena von Horsten, Shoot The Wendy Bird,, Dana Dau & Ang Kerfoot, Sofia Deville etc. etc.

Also, FIND US on soundcloud and share the playlist!

Together we can sound louder.

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