merry Xmas MOTEHRFUCKERS (love)

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My hot air balloon saying goodbye to Blues?

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oh no is my hot air balloon saying goodbye to blues, “What with Taylor Swift’s new album and all I don’t think it would be right of me to keep making the same shit over and over” recent interview reveals, “It’s a good thing, I think. I feel inspired. Don’t worry!” but folk music lovers are worried, “It’s like Dylan all over again, you think you know someone and then they turn out to be like total republicans that don’t even like surrealism but read boring books about civil war history!”

so… catch it while you still can.

10 Questions with Idris Davies

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1. How would you characterize your music?

I: Work in progress. What it comes from is american roots music mainly but my dream is to be able to blend it with contemporary rhythms and beats. Need a drummer. Don’t we all?

2. What is one early music experience that made a deep impression on you//made you rethink what music can sound like//has helped shape the music you make today?

I: I could go on here at length. My first experience was at age 8 hearing Lucy In The Sky With Diamonds blasting from my mates mum’s car. I don’t know if it was the volume but that song got inside me whilst me and Martin waited in the supermarket car park we had that song repeating full blast and were dancing on the roof! Twenty years after it had been recorded Beatlemania was still alive.

Aged 20 I was taken ill and moved in with my parents to recover – it was here I found one of my Dad’s old music books – a Leadbelly guitar book – and learnt the song Goodmorning Blues with the walking bass. I was pretty taken at this, with the Blues and all it’s possibilities! I howled that song all night long – I mean into the morning! Goodmorning Blues.

3. What is usually your process when creating//writing a new song?

I: Firstly it helps to be hungover. Generally I’ll sit down with a guitar and note book. But it varies you know – sometimes the song will rise up out of the blue and it just comes; sometimes I get an idea for a song and it wont be until months or even years later that I can get it written. Sometimes a song takes work – editing and such – and sometimes it doesn’t.

4. Where can we find your music//what have you done to make your music available?

I: I’ve littered my music in the usual places – Youtube, Soundcloud, Bandcamp, Reverbnation and I share it to Facebook and Twitter.

I’m shy and getting too old to play the silly i-wanna-be-famous game so I do the least I can to share my music – I don’t play live any more and I don’t like having to sell myself.

5. What is a recent musician//band//music that you are excited about?

I: Oh man, well I struggle here because I don’t listen to modern music. I’d recommend you listen to Jelly Roll Morton and his Red Hot Peppers. I’ve been enjoying their noise most recently. These guys, and the early Jazz that they were playing, were simply fun! No connotations, no second agenda, no trying to be Keith-Richards-Cool just good youthful fun! The bands seem to have an arrangement but they generally play what they want! There’s mistakes (and that’s fine!) and there’s laughter and chatter and messing around and you can imagine dancing too! This was an age where Music was unemployed – free of the financial responsibilities it’s tied up in today. Free and irresponsible – that’s my kind of music!

6. How would you describe the music climate in your home when you were a child?

I: Active like a Bio-yogurt. My Dad plays most instruments from Tin Whistle to the Uelliann Pipes and all inbetween. He used to play sax in a Punk Band deep in the Shropshire Valleys and guitar in a Christian folk group. We had all kinds of instruments to play with and it was early that I picked up a guitar and my Dad taught me my first songs from The Cowboy Songbook. There were bands coming around the house to play and there were records for when there weren’t bands. We played the records loud and would all dance about in the living room. Even the dog joined in. My life didn’t ever never have music going – even in the car we had our bag of car tapes – Van-the-man Morrison, Dylan, Paul Simon, Eurithmics, Talking Heads etc etc etc. I remember Dad pulling the car over in town just so we could listen fully and completely to Dylan’s Last Thoughts On Woody Guthrie. I didn’t listen – I was too young if you like – but I’ll never forget how it effected my parent’s and that interested me. Now of course I love that mountain of a track! God if I could only write one thing like that.

7. Is style//image important to you and if so what//who do you consider cool in music?

I: Yes, I reluctantly think so. I dress like my hero’s I suppose. I study Dylan album covers to try and locate the exact jacket or wear my shirt the way he does. Fail on all accounts of course! In my music I see many genres – currently I generally fit the folksy singer-songwriter category and dress accordingly; but in my mind there’s a rock band in there – I’d dress differently for this – sharper. In a band it’s important to dress smart I think because once you’re in a band it’s a job – you have coworkers and you give presentations. Dress smart for work and all that. I had this idea of forming a band that play dirty blues-rock. With all the band members literally howling through every show like animals. But all dressed super smart like Muddy Waters!

Aka The Man.

8. What song do you want playing at your funeral?

I: Well that’s currently going to Jelly Roll Morton. There’s two – Oh Didn’t He Ramble is a good’un with the intro, slow and morose, leading to the introductory words “Ashes to ashes, dust to dust … if the women don’t getcha the liquor must!”. Then ensue wailing, laughter and a nice lively rag with everyone playing their own thing as only Morton’s boys can!

9. Why music and why do you make it?

I: Because I can! I recognize I’m not the best guitarist in the world, I’m not the best singer in the world and I’m not the best songwriter in the world. But I figure I can do all 3 alright so that’s ok right? These are skills I have and I see it as my duty to use them. I say my duty because I believe God gave me these skills. And what better way to thank Him than to use them and make music. So because I can but also because I want to – I wish beyond so much that I could produce a living from my music. Music is in my heart it represents my youth, as outlined above, and it coincides with just about every memory I have. Music is like the notepad on which my life is written; it occupies my mind like air does my lungs. How can I stop feeding off and making music?! No I have no choice but to continue day in day out. I can and I will.

10. If I should listen to one undiscovered musician//song today who//what should I check out?

I: My mate Anju. She has the best voice. I could (and do far too often) compare her to any of the great jazz vocalists but in truth no-one sounds like Anju. I was hit with a good wave of originality blended with strong talent when first I heard her breezing on the ‘cloud. She’s a good writer and her guitar parts are always interesting too! Her songs have a lovely super-dry whit which is always a pleasure to hear.

If I can share her link I’d like to – https://soundcloud.com/anj-7 – and pair it with a recommendation to buy her new album where she’s accompanied by some top top Italian Jazzers and they all have a ball!


Visit Idris at:

http://idrisdavies.bandcamp.com/

https://soundcloud.com/idrisdavies

https://www.facebook.com/idrisedavies


10 Questions with The Weighty Tree (Mark C Todd)

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1. How would you characterize your music?

W: A primarily guitar based mix of different styles which I seem to classify from psychedelic groove, ethereal fuzz outs, bluesy funk, laid back acoustic, indie melancholy and somewhere in between. I love to improvise as much, if not more than produce music as fully crafted tracks. The Weighty Tree is the vehicle for my own personal musical emotional expression. It allows me full control over the process and content of the music that I can’t achieve in the same detail when playing in a band, although that has it’s own magic completely, but this way there are no compromises necessary. I play true to me and maybe someone will enjoy that in a different way, in the same way I enjoy others’ musical adventures!

2. What is one early music experience that made a deep impression on you//made you rethink what music can sound like//has helped shape the music you make today?

W: The first ‘toy’ my parents gave me which I would not leave alone was a radio cassette player. I had it in my playpen as a small child. Apparently I was completely hooked on it and never let anyone take it away without all mayhem! They quickly gave in and let me keep it! I’d never go to sleep unless it was on – a comfort blanket I suppose! I learned sound could be a toy I suppose.

3. What is usually your process when creating//writing a new song?

W: Pretty basic really, just playing around with various chords, progressions riffs I like and then I hit record. Overlay by jamming on top in various ways with different instruments, delete most of it until I have something that captures my attention and then move on to something new. I’ll go back later with fresh ears and either junk it or develop something further. Occasionally, I’ll figure out exactly what I want before I begin and work out full arrangements before I start.

4. Where can we find your music//what have you done to make your music available?

W: I never really pushed my music seriously because I’m not a singer/song writer as such, but when I discovered soundcloud and the fact that people might actually listen to my music and enjoy it I decided what the hell and uploaded some tracks. Then I got some really inspiring feedback which reinvigorated my creative juices, so I thought I’d work on a few more with a view to finishing some of them (the hard part!), which is where I am now…

5. What is a recent musician//band//music that you are excited about?

W: I like all music from jazz, blues, RnR, rockabilly, folk, 60s beat garage psych, soul and funk, 70s prog, krautrock & afrobeat, 80s indie, 90s/00s psych/shoegaze, stoner rock, americana & folk etc etc. and along the way alot of hip hop, drum’n’bass and rap too.

There are so many arresting artists, especially on soundcloud. Those I have collabed with all excite me, but I can’t choose one of them, so I’ll have to say 60s legends The Pretty Things – I saw them recently in Southsea (UK), and they blew me away, albeit with a young outstanding rhythm section!

6. How would you describe the music climate in your home when you were a child?

W: My dad always played jazz of the big band swing and bebop variety, country and western, blues and sixties RnB. My mum was into 60s/70s soul and classical music. I guess that’s why I like most styles of music so much, veering from one to another and why I love jamming. My older sister got me into indie music. I have been addicted to the search for new and old sounds ever since.

7. Is style//image important to you and if so what//who do you consider cool in music?

W: I think image doesn’t have anything to do with music but everything to do with the visual art, and of course it is fun to mix them together. I think truth is coolest, but a good old yarn is also hard to beat. I’ll go with the late, great Bo Diddley.

8. What song do you want playing at your funeral?

W: Bo Diddley – Bad Trip

9. Why music and why do you make it?

W: Cartharsis and fun. There is no why for me, only why not more! Job security kills my time but I guess that’s pretty important, damn it!

10. If I should listen to one undiscovered musician//song today who//what should I check out?

W: Charlotte Gordon soundcloud.com/charlottegordon


Visit Mark at:

https://soundcloud.com/theweightytree

http://theweightytree.bandcamp.com/